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10/31/09

RacsOview: "In My Life" (2009)

The Story
"In My Life" was about this 50 or 60 something mother, named Shirley, living a monotonous life in the Philippines taking care of her grandchildren and working as a librarian. Her daughters and ex-husband is urging her to sell a place that she owned when she got separated. She then later found out that one of her daughter is leaving for Australia to work which lead her to go visit/live with her gay son, Mark, in New York. She crashed in her son's place, got a job, found a new flame, irritated her son, got lost, got a weird hair do over, irritated her son's patient boyfriend, found a new life, got her wish and all that jazz.

Mark is now living the life that he wanted: with his Filipino boyfriend, Noel, great job and close to his friends. But there was a downside, he was sick. But he kept it secret to his mother, only his close friends know, including his boyfriend. That was the turning point of the story. When Shirley found out that her son was sick, she got crazy mad at Noel for not telling her. She rooted everything that she thought about Noel to that incident. Talk about an irrational thinking mother.

Mark got better but in a weird turn of events he got hit by a car and died. Fuck yeah.

Why Love It?
Vilma Santos as Shirley was unsurprisingly great. You can give her a grocery list as a script and she can still make gold out of it. But there were times that I felt that she was just acting. It felt fake at times. But that said she was still superb. Especially in the last third of the movie where everything was emotional and crying. But it was not her that I was mighty impressed with. I was really enthralled by John Lloyd Cruz's performance as the they gay boyfriend Noel. He was subdued and kept everything inside of him. Even though he was catapulted with everything that could ruin him, he kept his composure, begged for a twist of emotions. He did not avoid confrontations, he faced it, but he just took all the punches and never give any hook, up until Mark died when he exploded at Shirley. That scene was well built up. It packed a mean wallop. The movie in itself was already an emotional mush, but that scene was hair raising clash of feelings. He was great, I was really really blown away. I daresay that this is his best acting work ever.

Another beauty to behold was the cinematography. Though it could be better, the work was a glossy delight. The scenes in New York made me wonder what it was like to live there and be there. It really made me want to save up and live in New York.

Why Hate it?
The story was a sappy, mushy, schmaltzy, emotional cliche. Though the story telling was good, no one can deny that it was typical Filipino film. Happy at first, with tons of cultural slapstick, then the "better" half was reserved to be a big pool of emotions and tears. Typical typical typical. They tried to hard to mask it from becoming another Sunday movie night extravaganza, but it still felt that way, but that said, it was still a good effort, nevertheless.

Luis Manzano was the weakest link in the threesome lead performances. A very weak link at that. He was not that bad. But the bar was raised so high by his two co leads that his work just felt really flat and uninspired. Plus, we all know that he was gay already, but sometimes it felt clown-ish.

Another thing I did not like about the movie was that there seems to be a little chemistry going on with the gay couple. They look cute, separately, but together it was like an act. It was not romantic. Have they not seen "Brokeback Mountain" where Ennis and Jack felt like a real couple? Mark and Noel "missed" each other and they just smacked. It felt like they were the gay couple avoiding to be physical with each other. I am not saying that they ham it up, but I feel something lacking between the two, they just feel like buddies.

What I really hate about the movie, was the uninspired and all over the place score. The score was not helping the scenes at all, it felt like it was drowning them.

In the End.
Strong performances was all it needed for the movie to work, at least two thirds of great performance. The movie worked. It could drive you to tears, it could make you laugh. Generic yes, but it was well made and it was sincere. I just wish that Filipino filmmakers would stop thinking that emotions = tears = ka-ching.

It was a good movie, a good step up for mainstream Filipino films. I am sure that this movie will touch Filipino lives in the Philippines and abroad, and I hope that it will touch lives beyond borders too.

B

10/25/09

RacsOview: "Mammoth" (2009)

I am really not good with words but I do enjoy writing and make reviews. So I decided to do a sort of format for reviewing films. I made this format so that I could take a very deep look at the films before I grade them. I am grading films really high recently, then later I would realize that I gave it a very high grade.

Mammoth Apercu
"Mammoth" tells a "Babel" ish story of parents around the world. The main story revolved around this couple, Leo and Ellen, who has a young girl, Jackie, being looked after by a Filipino maid, Gloria. Then everything was webbed from there. The Filipino maid works in America because she has to earn double for her family whom she had left in the Philippines. Leo went on a business trip to Thailand where he met a Thai prostitute, Cookie who is also a mother of a very young child. Then things started to go awry for all of them.

Love It...
Acting. The movie was strongly acted. Gael Garcia Bernal and Michelle Williams were both good in their roles as the couple. Bernal delivers yet again, another strong performance, though this may not be his best work to date. Michelle Williams had strong scenes, serene, yes, but still powerful. I think she mastered that type of acting already. Marife Necesito as Gloria was also good.

Gloria and Jackie scenes. Felt very real. Being from the Philippines, I know how Filipino overseas workers talk and act, and they all felt very real.

Hate It...
Boring. The movie's pacing was icy. It took time before it got some place. It would have worked well if the story had been more interesting.

Filipino Dialogue. They were fake. It felt scripted. I really was dismayed on why the Philippine's scenes were sooooo fake. The dialogue. The acting. It really ticked me because the scenes where Filipinos are in America felt real, but those scenes where Filipinos are in the Philippines was bland and boring. We do not talk like that. I hardly know anyone who talks like that. Especially the scene where the grandmother took her grandson to the garbage dumpsite felt really really staged. I hated it.

In The End.
Yet you feel for the characters and their stories, but it just lacks emotions. The actors were really not to blame. The story was just not that interesting to begin with. I really liked the concept of parents kinda being lost in translation. But the story that was spun from the concept was just lackluster. Boring.

C-

10/20/09

RacsOview: "Lola" (2009)

What a year Brillante Mendoza is having! Fresh from his win from Cannes, as the year's best director, he is back with another movie this time he brought veteran actress Anita Linda with him. "Lola" a movie that has gotten great reviews in Toronto and was chosen as the surprise pick for the festival. Brillante Mendoza proves once and again that he truly is one of the best working directors of his generation.

"Lola" which translates to "grandmother", is a story about two grandmothers trying to make ends meet with their family. One lost her grandson on a robbery when he was killed on site. She is trying to give justice to her grandson's death and also is trying to give her grandson a good burial as best she can. The other grandmama is the grandma to the killer of the other grandma's grandson. It is pretty obvious now that I suck with names that I am simply trying to make this summary as best I could. I am trying guys, bear with me. Anyway. The other grandma is now trying to the best she can to force the other grandma to not pursue the case she has filed against the killer/robber.

Stepping out of the dark, Brillante Mendoza has kept this movie as light as he could without losing his magic. With "Kinatay" you felt rather uneasy after watching because you feel that someone would just abduct you and butcher the hell out of you. But with "Lola" it was still heavy, the emotions that is. But it tugged you in all the right places without making you feel wary in the end. You feel for the two grandmothers even though you know that one of them is doing something wrong. You just end up feeling that you have to support them whatever it was they are doing. Sometimes it brings you back to the memories of your own grandmother.

The storytelling was real, sincere and heartfelt. The characters and the acting never felt forced. I have a feeling that it was at times underplayed to make the scene more real. Even though that the subject matter was sensitive and really emotional, it did not need any big weeping scenes and outbursts of crying and profuse tears. It was told as it is and that made it powerful. Simple, yet piercing.

Anita Linda continues to prove that she is one of the best actresses of all time, when she already is and giving us a performance such as her work in this movie is a real treat. But the real surprise for me here is Rustica Carpio's performance. I never thought that Anita Linda could be upstaged, but her Carpio gave what could be a career reviving (if it really needs reviving) performance. That was just my feeling about her performance, she was really that good. I loved her. And it was with her character that I connected the most.

"Lola" may not be as provoking as "Kinatay" or as gritty as Mendoza's other works, but this one has got to be the most emotional and heart wrenching. The aim was to tell the story, but in the end you were touched, and that was something more than just getting your story across.

A

10/18/09

RacsOview: "Adoration" (2009)

I came into "Adoration" thinking that it might one of the year's bests. I was sort of excited about it, oh well, extremely excited about it. I was staring to worry because I already enjoyed a whole deal lot of films already for this year. Thanks to my eagerness to see other than US films. Anyway. "Adoration". Hmmm. It was crap.

"Adoration" was about this kid who was asked by his French/Drama teacher to tell this hoax story about his family and how they died. Only to spun controversy in his school and the student's parents to almost everyone he knew personally and online.

Sitting through it was kinda an odd experience. First off, the score was droning in my ears. I know it was supposed to be good. I think that if I listen to the score alone, it would be good. But it was all over the place. Also, I could not shake the feeling that this is not Atom Egoyan's work. This feels like a drama B movie. It was odd because everything felt out of place. Well maybe the acting might have saved some some. And the writing and the premise was sort of intriguing. But it never really go places. It just started off intriguing then fell flat. I also felt that the ideas were all crammed in the end that the beginning felt so much of a test of patience.

There is nothing to adore in "Adoration" other than the fact that the main premise could have been really good. It was [C]rap.

C-

RacsOview: "Samson and Delilah" (2009)

I was really intrigued with this movie because Glenn Dunks of Stale Popcorn was raving it. So when I got the chance to see it, I did not hesitate to go see it right ahead. And after seeing it, I WAS BLOWN AWAY. Really really blown away.

"Samson and Delilah" as it claims it to be, is a story about true love, and more. The story follows Samson and Delilah as they try to live after escaping their previous lives in a monotonous and almost barren shantytown. Before they escaped, Samson was just busy snorting gasoline or whatever that was inside the can. He sorta had this routine that when he wakes up he would play the guitar outside his house. Then he would just fool around with his wheelchair. Delilah on the other hand it a sort of nurse to her old Nana, she assists her Nana with food, getting up, taking medicine and making dot paintings. Paintings that they sold for a hundred and they would later find out that they sell to tens of thousands. When Delilah's Nana died, they went on a roadtrip out of their "village" only to live in a more civilized place as a beggar.

Calling the movie just a love story is tad understating it. It was more more than that. It even showed us the lives of native Aboriginal Australians. The movie even showed the sort of divide between the rich and the poor and how the poor survive. But no matter what objective might have been, it was delivered with such oomph. It was piercing, it was engrossing.

"Samson and Delilah" was not just a success for its beautifully concocted concept and direction, it was also a technical achievement. It was beautifully shot. Even though it was almost all the time sand sand and even more sand and sun, it was still very beautiful to look at. The production work put into this though minimal was effective. The places that they were in were added characters to this richly characterized movie.

With that said, the movie was impeccably acted by its freshman lead actors. Marissa Gibson SHOULD make it into everyone's best actress lists this year even though the year is shaping up to be one crowded category. Rowan Macnamara on the other hand SHOULD also be making it into best actor lists. Even though he only muttered one line in the movie, it was not needed at all. In fact I think that the movie would even work even if no one in the movie talked. It was that effective. Both of them gave out two of the best breakthrough performances of the year. They were honest and sincere, real.

"Samson and Delilah" truly is a gem. There is no denying that. Though it is not your typical movie to sit through, but trust me, the experience is worth taking. It is a movie that I will go watch over again, no questions asked.

A+

10/17/09

RacsOview: "The Private Lives of Pippa Lee" (2009)

Someone has got to give Jennifer Jason Leigh a good movie. It is hard for her to get that Oscar nod if the movie is not at least good. She is a great actress everyone, and I think she had already proven that. She is, in my book. But people have got give her better roles.

"The Private Lives of Pippa Lee" is not a good movie nor was it a bad movie. It was a middlesome affair. It was about this tamed bohemian girl. Raised by a quirky mother, quirky people and quirkiness and then tamed by an old man and gave her "direction". My main issue with the movie was that it was not at all interesting. The struggles and the conflict were not that interesting, not until it started to pick up only when it was about to finish.

But that said I could not deny it the compliment that it was superbly acted. Jennifer Jason Leigh was all aces in this role. She was stuck and needed an escape. And you felt that. Blake Lively was not even bad also, in fact she was kinda almost great. You would expect that she would be all cutesy, but she was not, thank God. Julianne Moore, Alan Arkin and Maria Bello were all superb in their mini roles.

Great performances were not enough to glue this whole thing together. It was a quirky collage of characters interacting in what could be the boring-est bland-est annecdotes that they could be put in. It could have been better. We can only thank the actors for bringing life to the rather weak material.

C

10/14/09

"Adela" Soars High

I have professed my eternal love for "Adela". Methinks that it is one of the finest Filipino films ever made. Thanks to the superb and perfect lead performance work by Anita Linda which made the movie experience all the more memorable. And it is directed by my favorite Filipino director Adolf Alix Jr. who gives masterwork one movie after another. Here are some of the reviews...

From New York Times
The widely acclaimed Filipino actress Anita Linda gives a quietly transfixing performance as the title character of Adela.


From Village Voice
[An] art-perfect snapshot of a community-in-flux.


From Variety
Artfully observed, it's content to let Linda be the sole, compelling focal point.


From Daily Variety
"...minimalist in both aesthetic and (rarer still for a Filipino film) overt sentimentality.... Artfully observed..."


"Adela" is one of the year's bests films. So for those in New York please do check it out.

Mendoza Wins in Spain

Cannes Best Director and Filipino director Brillante Mendoza won again for his Cannes critically pummeled movie "Kinatay" in the recently concluded 42nd Sitges International Film Festival. Just goes to show that the Cannes win is no fluke. It was not! Sue me haters! I really do think that he deserves the win, I am a huge huge fan of the movie and the director. I am somewhat bewildered that the movie was massively hated pretty much like how "Antichrist" was received. It was just a grim retelling of a story. Why hate? Anyway. Here is how the Sitges awards went...

Best Short Film: One of Those Days (Hattie Dalton)
Special Mention: The Boy Who Wouldn’t Kill (Linus de Paoli)
Best Production Design: Tony Noble (Moon)
Best Make Up Effects: Kaatje Van Damme (Mr. Nobody)
Best Special Effects: C.O.R.E. Digital Pictures, Mac Guff, BUF (Splice)
Best Original Score: Teresa Barrozo (Kinatay)
Best Cinematography: Benoit Debie (Enter the Void)
Best Script: Nathan Parker, based on the original story of Duncan Jones (Moon)
Best Actress: Ex-aequo: Elena Anaya (Hierro) and Kim Ok-vin (Thirst)
Best Actor: Sam Rockwell (Moon)
Best Director: Brillante Mendoza (Kinatay)
Special Jury Award: Enter the Void (Gaspar Noe)
Best Motion Picture: Moon (Duncan Jones)

Kinatay also won for its droning freaky score. Another win for Mendoza. Honor for the Philippines.

I am really surprised with the Moon sweep. I have not seen it yet. I have to see it.

RacsOview: "Julie & Julia" (2009)

There has been a strong buzz going on for Meryl Streep for her two offerings this year. One is yet to be determined and the other has already been proven. I think that this year, Meryl Streep is yet again in the running to win that coveted third Oscar for her iconic role as Julia Child in "Julie & Julia".

The movie was everything Nora Ephron. Two stories. One movie. This time it is about writer / blogger Julie Powell who was at that time did not know what she was doing with her life. She then made a blog chronicling her quest to cook 500 something recipe for one year only to discover what she needs in her life. Alongside her story was the story of Julia Child. Set decades before. It was about her pursuit to publish her book about French cooking for servantless Americans.

There was a huge disconnect between the two stories, methinks. It never really connected. Though at times it was fluid. Often times it was a messy jigsaw. Amy Adams' parts were not as vibrant as Streep's. But Adams can not be blamed for it. She made the most out of it. She did. In fact I actually think that the movie was very well acted. Streep is a God. Nuff said. Adams was strong. Tucci was superb as well including the rest of the cast. But I really can not get Jane Lynch out of my head. She is just a breath of comic genius.

I know in my heart that Streep is on her way to win her third Oscar. And this time, unlike last year, I am on board with her. She is Julia Child. The gestures. Voice. Accent. Everything. I have high high high praises for her work and this sets it to an even higher level. I just love her to bits. Give her the damn Oscar.

B-

10/12/09

Looking Back on 2001

I have been busy creating a look back at 2001's bests. I am also doing a sort of revisiting of some films that I loved, but I think that I do not need that much revisiting on "Moulin Rouge!" because I watch it often. Anyway. I'll get back at you on this.... ASAP....

10/11/09

RacsOview: "Bunny Lake is Missing" (1965)

I have been doing lotsa looking back on classic films and this time I saw "Bunny Lake is Missing". It was about Ann Lake and her missing daughter Bunny. They searched every place where they might find her. They even got to thinking that Bunny Lake may not have existed and it was all in the mind of Ann. She has this very charming overzealous brother which was neurotic weird to totally manic crazy who is helping her all the way. Turns out this is a nutso case. She was not really missing. Her brother was just crazy.

The movie sorta got me wondering if missing children were the "in" thing in movies back then. I think I have seen lotsa classic films about missing children. Don't get me wrong. I love the movie. I really liked it. It was superbly acted. Carol Lynley was superb. She was desperate. But she has this very strong facade that she puts on. Laurence Olivier was great as well. At first he was just innocent gentleman. Then it shifted to crazy nutso. Well acted. Very Well.

But I sometimes feel that the sound editing was tad off. Including the screechy soundtrack. It was distracting because it felt over the place and the screeching sprouts out all of a sudden in the scenes. But nevertheless it was a solid classic movie.

A-

10/10/09

RacsOview: "Boy" (2009)

Gay indie movies have been very prominent in the Philippines for quite a long time in fact. And with that comes a curse that most of them gay movies tend to be much alike with each other. Instead of telling stories, they just end up being sexploitation gay movies. An incessant parading of flesh and meat and beef and sometimes more than that. I have not planned to see "Boy" but since it was directed by Auraeus Solito, I changed my mind and decided to see it. Just for the heck of it.

Boy was about this blossoming gay teeny ager named Aeius or something. He fell in love with a male dancer named Aries. But as with other gay films about teen agers. He was a closet kid. But one night, just after new year's celebration his mother saw him and Aries sleeping cozy in each others flesh.

But don't get me wrong. "Boy" somehow made it's own name. It is not your typical gay movie. In fact it made some decision to come up with a rather unconventional story and a cliffhanger of sorts. You hardly felt that it was running long. I don't know why. I did not like it at all. But I did not hate it. I hated the acting. I hate it a lot. It was too fake and script-y. But there was something in it that made it not cliche.

There are many things to hate in this movie. I can go on making a list. But it was really not that bad. If you could forgive the bad acting, it may be a good movie to see.

C

RacsOview: "Fish Tank" (2009)

I think that this year will be a year for breakout performances. I know that many are hailing Carey Mulligan in "An Education". I have yet to see it but I think I will be mesmerized. But I do hope that there will be some lovin' left for smaller films with breakout performances. I do hope many people get to notice Katie Jarvis in "Fish Tank".

"Fish Tank" is a deceptively simple but very moving story. It was simple stories intertwined to come up with a cohesive, original whole. It was about Mia, and how her life changed when her mother brought home her new boyfriend. She sort of hated him at start and then things start to get murky when she started to fall for her mom's boyfriend.

The string of stories that continue and that were formed were nothing from what I could have been thinking about what would happen. Things really got unexpected and I savored every minute of it. I do not want it if a movie unravels and it was everything I was expecting it to be. I want it to take detours. But not J.Lo in "Enough" detour. That was shit.

Not only was it a superb movie, it was also a showcase of talent. Of great performances. Katie Jarvis was outstanding. Breathtaking. Eat that veterans. I fell in love with her instantly when she started dancing. Another top notch performance here is from Michael Fassbender. Superb. Real. In fact everything in this movie felt very real. Even the girl that nearly drowned. I feared for her life.

In a year of great works from women, Andrea Arnold lands on top of the list of the year's bests.

A

10/6/09

RacsOview: "Zombieland" (2009)

I am a big fan of the whole zombie movie gorefest . I enjoy them a whole deal lot. Even though those crappy ones I find rather enjoyable. It is a sort of escape. You just enjoy the blood and the fun. But when the movie is actually good then it is a very rare treat indeed. "Zombieland" joins the ranks of great zombie movies, alongside "Dawn of the Dead" and "Shaun of the Dead" just to name a few.

"Zombieland" is about this guy who has rules for surviving in a zombie infested world. He meets a zombie killing maniac on the way and two sisters, tough sisters. They all become good friends but then the sisters decided that they could not really trust the guys so they set off to go to a theme park.

It a whole lot of killing. Gun fights. Blood. Flesh. And a fucking scary clown. It was jumpy at parts. Funny all through out. Woody Harrelson could not be any better. He was great. He is a comic revelation. I love it. This is one of the fun movies of the year. you better see it.

B+

10/4/09

10 Songs


  1. Through the Trees - Low Elbow
  2. There's Too Much Love - Sufjan Stevens
  3. Relator - Pete Yorn and Scarlett Johansson
  4. Hey Soul Sister - Train
  5. These are My Twisted Words - Radiohead
  6. Uprising - Muse
  7. Finishing School - Dashboard Confessional
  8. Take Me Home - After Midnight Project
  9. Storm to Pass - Atreyu
  10. I Want You To - Weezer

Merlin is Back

I love this show. I know it is not in any way original like say "Mad Men" or "Pushing Daisies". It is somewhat like your typical monster of the week series, but then, I have grown to like it, love it. It is the type of show that you just love it for what it is and not find any meaning in it. Anyway. "Merlin" is back and it is grander, bigger and more magical. More problems. Morgana is starting to become evil. Merlin clumsier than ever. And Arthur is more of a king than a prick. This show makes me happy. It brings me back to my "Xena: The Warrior Princess" years. I do not know if I could really recommend it because I know not that much people are liking it as much as I do. More for me then.

10/3/09

Mad Men Mad Love

I can not believe how is it that this series just keeps getting better and better. Usually a season dies down after several seasons but this is not the case for "Mad Men". It just keeps on delivering the goods episode after episode. And what I really like about what is going for this show is that even the Emmy, academy, and award giving bodies have unanimous love for it which is something that is missing for "Friday Night Lights", "Battlestar Galactica" heck even "Pushing Daisies".

This season is delivering one surprise after another. What I love most about this show is that it does not have a single theme (central) in one episode. It is spread throughout the season. If you watch the season in one siting it would look like a half day movie and a very engrossing one at that despite the length.

So if you guys have not been watching "Mad Men", you should start right now. YOU SHOULD.

RacsOview: "And I Love You So" (2009)

I am really hesitant to get a DVD of this one. I know that it is going to be ultra cheesy. And I was right. I am right. It is cheesy. Cheesy but made good.

"And I Love You So" was about this chick who just lost her wife after just being married for five months. She thought that she had everything she ever wanted and could not ask for more then his husband died at her birthday. Several months later she then met someone new but could not love at that time. But in the end, like all Filipino love stories, they ended up being together. Yehey.

It is corny. It is. It was a cringefest for me. The dialogue was over the top cheesy at times. But then again I could not deny the fact that it was rather good. I just hated it when her husband comes to scene talking to her like that chef in "Ratatouille" inside Remy's head. It was kinda like that. I was getting that vibe that this was not all in her head. She was either sick with Schizophrenia or she was just a ghost whisperer. Either way. The movie could have gone better without the weird popping of the dead husband.

I know that everyone was talking about Bea Alonzo's performance as the grieving widower, but this was more of a feat for Sam Milby, the new flame, than it was for Alonzo. Alonzo was good, yes, but she could have done better. You can feel that she was acting, and not being natural. Which got me to conclude that she can ACT. On the other hand Milby was rather better than Alonzo. His line delivery was not forced and that church scene was rather memorable.

All things said. It was corny but it was good. It was commonplace but still it was good. It was OK.

B-

OK I AM OFFICIALLY BACK

I have been really off with my blogging ritual. I should be blogging every day and I have not been doing that for that past weeks. BUT NOW I am making a promise that I will be blogging like crazy since the Oscar season is starting to pick up. I have also seen lotsa films that I have been meaning to do reviews on. Plus I have been catching up on Filipino films. So para sa mga Filipino readers ko, expect lotsa reviews on Filipino films. Hindi naman masamang mangarap na isipin na meron akong mga Filipino readers hahaha.

Anyway. It is so fucking good to be back. Blogging and writing makes me happy. I should do this more often.