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9/27/10

RacsO Decade in Review: #73 Waking Life

Waking Life
Directed by Richard Linklater
2001

One of the movies that I am really envious about.  I tried to do rotoscoping, on my own, and I think I failed miserably.  But I kinda liked what I made, so that cancels out I think.  Anyways.  "Waking Life" is a marvel to behold.  Creating an animation sub genre all to themselves.  An existential, all talky animation that would get you thinking for quite a long time.

RacsO Decade in Review: #74 Anacbanua

Anacbanua
Directed by Christopher Gozum
2009

One of the overlooked gems of 2009, way overlooked, even I overlooked it.  Regional cinema truly is in a boom, and one powerful addition to that is "Anacbanua", a Pangasinan native movie, that comes across as both visual and aural poetry.  Genius.

RacsO Decade in Review: #75 Zodiac

Zodiac
Directed by David Fincher
2007

I kinda miss the 90's works of David Fincher ("Se7en" ranks very high in my list of favorites from the 90s), but when he made "Zodiac" it kinda brought me back to the good old days, and made me go back to loving his works again.  "Zodiac" is a thrilling piece of crime, drama and madness.

9/26/10

RacsO Decade in Review: #76 The Fall

The Fall
Directed by Tarsem Singh
2008

One of the most imaginative and visually arresting movies of 2008, "The Fall" is Tarsem Singh's follow up to his other visually arresting and mind bending movie "The Cell".  At first you would not know where the movie is going, but it all comes together in the end.  It might easily be described as a mess, but if it really is a mess, then is one really original, highly imaginative mess.

RacsO Decade in Review: #77 In Vanda's Room

In Vanda's Room
Directed by Pedro Costa
2000

I could only wish that I could make a movie that is a silent power as this.  I tried, but failed.  There is a fine line (I think) with making a real time movie without it making look like you are making a documentary of someone's life.  But Pedro Costa did with such masterful ease.  The movie is a tough movie to sit through, but finishing it is a gratifying.  "In Vanda's Room" is striking, powerful and cruelly real.

RacsO Decade in Review: #78 Serenity

Serenity
Directed by Joss Whedon
2005

I guess it is the fanboy in the and being the "browncoat" that I am that made me love this movie more than others.  But I just could not deny the artistry and mastery that Joss Whedon has showcased in this movie (and in the canceled series "Firefly") and I savored every gorram minute of it.

9/23/10

RacsO Decade in Review: #79 The Fountain

The Fountain
Directed by Darren Aronofsky
2006

Like Alfonso Cuaron, Darren Aronofsky never had created a bad movie, at least for me.  All of his works excluding "Pi" made it in my top ten list on the year when they were released.  "The Fountain" is one of my favorites from him.  It was engrossing and really personal and it was clear what his intentions were.  It was just breathtaking and a marvel to behold

RacsO Decade in Review: #80 Bring it On

Bring it On
Directed by Peyton Reed
2000

This movie, I could watch over and over and still, I will enjoy it as much as I did the first time.  Methinks that this is one of the smartest and most entertaining teen movies ever.  It also is one of the best sports movie of the decade.  It is continuous burst of fresh and poppy fun.  Right now, all I am thinking is watching it again.

9/22/10

RacsO Decade in Review: #81 Cache

Cache
Directed by Michael Haneke
2005

I love how this movie is thrilling and scary even without any musical accompaniment. Michael Haneke knows how to make domestic setting horrors, and it will get stuck to you for quite a long time. What makes his stories scary is that there is nothing supernatural or overthetop, they could really happen to you.

RacsO Decade in Review: #82 Yossi and Jagger

Yossi and Jagger
Directed by Eytan Fox
2003

It is oftentimes compared to "Brokeback Mountain" but this one came first. I am not going to make the comparison. The movie stand on its own as a beautiful, engaging and honest love story of two gay soldiers. Poised by superb performances from the two leads: Ohand Knoller and Yehuda Levi. Simple, but powerful and heartbreaking.

RacsO Decade in Review: #83 Children of Men

Children of Men
Directed by Alfonso Cuaron
2006

In my book, Alfonso Cuaron can never make a bad movie. When he makes one, it is sure that it is going to be great. "Chidlren of Men" is an awesome and emotionally heavy, dystopian adaptation of one of my favorite books of all time.

9/21/10

RacsO Decade in Review: #84 Adela

Adela
Directed by Adolf Alix Jr.
2009

This movie cemented Anita Linda as the best working Filipino actress. She was put upfront and center and the result is that Linda gave her career high work and one of the best acting performances of the decade.

RacsO Decade in Review: #85 Tirador (Slingshot)

Tirador (Slingshot)
Directed by Brillante Mendoza
2007

One of the masterworks of Brillante Mendoza, one of his earliest too, yet it definitely is powerful and raw. Mendoza is frequently accused of poverty porn, but you don't really mind of the work is one or not especially if the work is this good.

9/20/10

RacsO Decade in Review: #86 Inland Empire

Inland Empire
Directed by David Lynch
2006

Only David Lynch can fully decipher what's going in his labyrinth-ish mind, and what is left for me is to tag along and join the oddity, and dig in the madness. Plus, Laura Dern gave one heckuva performance here.

RacsO Decade in Review: #87 Me and You and Everyone We Know

Me and You and Everyone We Know
Directed by Miranda July
2005

Divinely quirky, outlandish comic and intriguing. Miranda July has a freshness and weirdness that translates well to the big screen. And I can only be excited to see what she does next.

RacsO Decade in Review: #88 Heima

Heima
Directed by Dead DeBlois
2007

Meditative, stunningly breathtakingly beautiful. If a movie could give you a heart attack for being beautiful, this movie would give you major heart attack. Aurally and visually arresting. Sigur Ros made their mark not only in the music scene.

RacsO Decade in Review: #89 The Royal Tenenbaums

The Royal Tenenbaums
Directed by Wes Anderson
2001

Wes Anderson may have made his mark in "Rushmore", but it was in this movie that I really took notice of his works. A true comic offbeat movie, quirky and one of a kind.

9/15/10

RacsO Decade in Review: #90 Volver


Volver
Directed by Pedro Almodovar
2006

Penelope Cruz's finest work of the decade and one of Pedro Almodovar's bests. It kinda is thrilling and fun to see Carmen Maura in this too. Eye candy, beautiful and will pin you down to your seat. Cruz and Almodovar should collaborate all the time.

RacsO Decade in Review: #91 Gosford Park


Gosford Park
Directed by Robert Altman
2001

Seeing "Gosford Park" makes you wonder how the flying frack did Ron Howard win over Robert Altman? This movie proved that truly Altman has a genre all to himself, and only him could do overlapping conversations with such ease.

RacsO Decade in Review: #92 Road to Perdition

Road to Perdition
Directed by Sam Mendes
2002

Chillingly cold and haunting, Sam Mendes may have lost his way this decade, but "Road to Perdition" remains as one of his career best work.

RacsO Decade in Review: #93 The Hours

The Hours
Directed by Stephen Daldry
2002

Superb individual performances from Ed Harris, Stephen Dillane, Meryl Streep, Julianne Moore and of course, Nicole Kidman. The source material was said to be unadaptable, but Daldry masterfully intertwined three different story lines into one cohesive whole. Utterly gorgeous.

RacsO Decade in Review: #94 Mean Girls

Mean Girls
Directed by Mark Waters
2005

Tina Fey penned one of the most entertaining teen flicks ever put to screen. Lindsay Lohan was great and was still sober. Rachel McAdams HOT. This movie, is so fetch!

RacsO Decade in Review: #95 Devil Wears Prada

Devil Wears Prada
Directed by David Frankel
2006

One of the few smart and very well written chick flicks. This also is one of those movies that you could watch over and over again and yet you find yourself enjoying it the same way you feel the first time around. Plus, this is Meryl Streep's finest work of the decade and the Academy failed to see that.

RacsO Decade in Review: #96 Hesus Rebolusyonaryo

Hesus Rebolusyonaryo
Directed by Lav Diaz
2002

One of the many Lav Diaz movies in this list, "Hesus Rebolusyonaryo" is a very engaging dystopian film, a rare breed in the Philippines.

RacsO Decade in Review: #97 Bowling for Columbine


Bowling for Columbine
Directed by Michael Moore
2002

One of the best documentaries of the decade and quite possibly is Michael Moore in his most effective form. He surely knows how to deliver his messages quite strong.

RacsO Decade in Review: #98 The Lord of the Rings: The Return of the King

The Lord of the Rings: The Return of the King
Directed by Peter Jackson
2003

Set the bar really high for action adventure and fantasy films. Truly a masterwork for all ages.

9/13/10

RacsO Decade in Review: #99 Triplets of Belleville

Triplets of Belleville
Directed by Sylvain Chomet
2003

A different kind of animation, aurally and visually beautiful. Makes you want to crave for more of this kind of work.

RacsO Decade in Review: #100 Bad Education


Bad Education
Directed by Pedro Almodovar
2004

Pedro Almodovar in film noir mode: stunning, beautiful and perfectly acted, Gael Garcia Bernal in one of his performances of the decade.

9/12/10

10 Songs


  1. Younger Us - Japandroids
  2. Crossfire - Brandon Flowers
  3. Bloodbuzz Ohio - The National
  4. From Above - Ben Folds and Nick Hornby
  5. The Devil In Stitches - Bad Religion
  6. Tadhana - UpDharmaDown
  7. Diamond Church Street Choir - Gaslight Anthem
  8. Memories - Weezer
  9. My Best Theory - Jimmy Eat World
  10. Ramona - Beck

9/11/10

RacsOview: Scott Pilgrim Vs. The World (2010)

One of my most anticipated movies of the year, "Scott Pilgrim vs. The World", opened in the US and fizzled in the box office. Something that I question really. Methinks that the movie is one of the bests so far and has got to be one of the most entertaining.

Comic book adaptation rarely gets justice when put to screen, and I must say, being a fan of the comic book series, that the makers of the film really enjoyed and put every ounce of hard work in to the movie. The results paid off, the movie is ruckusly fun, it was highly entertaining, it stayed true to its source material. Even the actors seem to be having fun whilst doing the movie. The actors were all aces, even if they had the tiniest of screen time. Michael Cera was born for the role and I think that he gave his work yet in a role that I think that he could do in his sleep. Here's me hoping that he be given a role, different from what he usually does, that certainly would prove that he truly is one of the best actors of his generation. Even if she was seen rather shortly, Anna Kendrick for me was very memorable as Stacey Pilgrim. I like her in comedic roles, and I think with a better role she could excel more. My other fave performance came from Kieran Culkin as the gay bedmate Wallace Wells. Ellen Wong was quite a find in her role as Knives Chau. I find it even fun to watch Brandon Routh as the vegan psychic Todd Ingram. It was nice to see him loosen up.

How it was put together and how it was finished was pure energetic joy. If there is going to be a template for making comedic comic book adapatations, "Scott Pilgrim Vs. The World" should be it. The fight scenes would remind us of the hours and days we spent playing video games, which was nostalgic in a way. The effects were put to good use as it was not hindrance to the eyes, in fact, they were all eye candy. Edgar Wright surely knows how to make a comedic movie without going overboard, and he continues to prove that he is one helluva director.

The delivery of the lines were perfect. The movie was like "Devil Wears Prada" as it was highly quotable. But my favorite line has got to be Mae Whitman's Roxy Richter line "You punched me in the boob, prepare to die obviously!". Her other quotable quote was the "bi-furious" bit, which I think was really funny.

"Scott Pilgrim Vs. The World" should have raked in heaps of moolahs, well it kinda did, but there should have been more. I was expecting that people would gang up to see this movie which I think was better than the ones ranking number 1 in the box office. I do think that the movie would have a massive cult following, but I think it deserves a better audience.

9/6/10

RacsOview: Cameroon Love Letter (For Solo Piano) (2010)

Khavn is my new hero in filmmaking. For me, he is a modern day Renaissance man. He sings, he writes, he makes his own movies. "Paalam Aking Bulalakaw" is one of my all time favorite movies, and probably my pick as the best Filipino film of the past decade (the list I think I will get to post late this week or early next week). His works may come a plenty, but we do not get to see them like mainstream films. "Cameroon Love Story" was shown two weeks ago in Bonifacio High Street. It was a very cold night. It was raining, I got wet, I went in the screening a little damp, and the airconditioner was blasting like I was in Alaska that made the movie going experience quite interesting.

"Cameroon Love Story" is an unconventional movie. There are two letters being read. One a breaking up letter written by a woman. That letter was a really really cold one. It really matched the ambiance in the room. It was really cold. Plus the visuals in blue, made the word more scathing and brutal and cold. That girl is one cold blooded woman. Thing is, she does not love the guy anymore, now she is leaving him for good because she is no longer happy. This letter was just read throughout the movie, though you just read them like subtitles, they pierce like cold daggers. Deeply affecting.

The second letter was for me a pseudo love letter. It is "written" before the writer dies. It is pretty evident (well because he said it in the beginning and in the end) that. This is the guy whom the first letter was addressed to. This in context, is the love letter. It reminisces on the good days. This time, unlike the first letter, it was read throughout the movie. It was narrated beautifully (kudos Lord De Vera) and I really felt the longing, the pain for the lost love. He still loves the girl deeply. She is his life and now she's gone, he no longer has the will and reason to live.

"Cameroon Love Letter" for me was a powerful movie proving that words alone could sting, convey emotions, no actors needed. Mixed with a rather cold and beautiful clips, plus a live piano accompaniment, the movie was more than just a movie. You became involved and you were a part of it. Truly a cinematic gem.

9/5/10

RacsOview: Valhalla Rising (2010)

Watching "Valhalla Rising" was quite an experience, it was not ground breaking or anything but it surely was one heckuva experience. There were moments in it that tested my patience. The advertising of the movie as an action movie really was not spot on, it was more than that, but really, it is definitely not an action movie.

"Valhalla Rising" is more of a meditation movie. A symbolism movie, at least for me. There were times in it that I felt like I was watching Sigur Ros' "Heima", with the droning sound and nothing but beautiful landscapes or clips. We follow a viking captured, he is a gory fighter. When he fights, he surely kills and finishes. Then he broke free and we follow him on his voyage to hell, or wherever that was. Surely you would have questions lingering in your head after seeing it. Questions such as "what the fuck is going on", or "what the hell was that all about". It is not mindrape or mindfuck. It is easy to follow the story, but the meaning of it all is left to fathom.

I really could not say if I loved it or hate it, I guess if I were to choose I would safely say that I am in the middle. I loved that it was stripped off of some movie norms (words, sound, plot) but it was able to stand on its own without the movie feeling like pretentious. I hated the times that it felt like watching the movie felt like a chore. It was uber glacially paced.

"Valhalla Rising" felt like it took me places, but I felt vacant. The first chapters of it were rich but it kinda bogged down and thinned towards the end, which kinda was the main problem I had with it. Nevertheless, it was quite a treat, and I am for one not going to argue on the director's aim or goals, they were there, I guess what is left is if the audience is going to listen to it.